From the beginning, phenomenology has been a focal point in Karl Alber’s programme, not only dealing with classical topics and authors, but also opening up new fields and interdisciplinary research perspectives, e.g. phenomenology and cognitive sciences, phenomenological anthropology, new phenomenology, phenomenology of life, etc.
Edited by Annette Hilt, Cathrin Nielsen, Alexander Schnell, Hans Rainer Sepp, Holger Zaborowski
This text-critical edition includes all the works published by Eugen Fink himself as well as the writings of his extensive literary estate, most of which are still unpublished.
Edited by Alfred Denker, Holger Zaborowski
The yearbook is devoted to the thought and person of Martin Heidegger, one of the most important and controversial philosophers of the 20th century, from various perspectives.
Edited by Harald Seubert, Manuela Massa
Heidegger’s philosophy is interwoven within many different contexts that have been neglected or underexposed in the past debates: the connections with logic, normativity, language, as with the ancient thought, with the scholasticism and late scholasticism, with the classical metaphysics, with the philosophical beginning of the early 20th century (Frege), with Kant and Neo-Kantianism, as well as between his position on the phenomenology of Husserl and his school. This research series is focused upon these connections and upon problems concerning law and political ontology to which many of Heidegger’s works are dedicated. Exceptional monographs (especially dissertations) are in these fields included, whose ambition is to document Heidegger’s research during international conferences and smaller workshops. The aim is to measure Heidegger’s thought in its various constellations and horizons, as well as reintroducing it to systematic philosophical dialogue by presenting its fertility within contemporary philosophy.
Edited by the Society for New Phenomenology, contact: Michael Großheim
The New Phenomenology is concerned with phenomenologically demonstrating “man’s reflection on his finding himself in his environment” (Hermann Schmitz).
Edited by Jakub Čapek, Sophie Loidolt, Alessandro Salice, Alexander Schnell, Claudia Serban
Untill 2001 edited by Karl-Heinz Lembeck, Ernst Wolfgang Orth und Hans Rainer Sepp. 2006 bis 2021 herausgegeben von Jean-Luc Marion, Marco M. Olivetti and Walter Schweidler.
The editors understand phenomenology as a systematic discipline that provides important impulses in contemporary philosophical debates as well as in other disciplines. Their different approaches can be understood by recourse to a common tradition that has become increasingly differentiated in the constant work on “things themselves”. The “Phenomenology Series” represents this tradition in its entire breadth and theoretical diversity as well as in its current formations and further developments. The languages of the series are German, English and French.
Edited by Thomas Fuchs, Thiemo Breyer, Boris Wandruszka, Stefano Micali
Phenomenology can be regarded as the basic science of subjective experience. It examines its central structures, especially intentionality, corporeality, temporality and intersubjectivity, in order to arrive at insights into the basic forms of human experience in health and illness. Going beyond the subject/object divide, their attention is focused on the indissoluble connection between subjectivity and experience of the world. For psychiatry, this means that being mentally ill is neither seen as a purely objective event that can be localised in the brain nor attributed to a hidden “inner space” of the psychic. Rather, mental illness manifests itself in experience as well as in bodily appearance and behaviour, in the temporality of life, in relationships to others, in short: in the entire being-in-the-world of the sick person.
The DGAP series presents research contributions in which phenomenological approaches are further developed in anthropology, psychiatry and psychotherapy.
Edited by Rolf Kühn, Frédéric Seyler
This life-phenomenologically oriented series aims to analyse all modes of appearance as they result from the basic affective and cultural constitution of the
